The new paintings reflect an ongoing concentration toward a stronger focus on line rather than solid shapes. Amorphous, undefined white background or vivid reds and greens dominate as color fields for the lines to weave in and out of, with patches of the wood panel left raw to accentuate depth. I partially paint over many areas of the panel to bury what is superfluous and determine the strongest components. These forms or absence thereof create ghost imprints that leave an image on or in the background. DNA strands, netting and weaving, egg sacs and seed pod’s are all structures that exist in my work, sometimes recognizable, oftentimes not. Resin coats the entire panel including the sides to create a sculptural form that removes the need for a frame as well as producing an object rather than a two dimensional image.